Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
Comics
Zosia Dzierżawska is an illustrator & comic author from Warsaw, Poland, and a co-founder of Studio Armad’illo, an illustration and graphic design studio based in Milan. She works for a variety of international publishers, using her soft, expressive lines in children’s books, comics and editorial illustration.
Previous collaborations include Oxford University Press, Rizzoli, Candlewick Press, and others. Her works have been awarded twice at the Bologna Children’s Book Fair Illustrators Exhibition, as well as at the Society of Illustrators in New York.
She loves getting her hands dirty with inks, watercolors, greasy pencils, and other traditional media.
Nobrow, Candlewick Press, I'm Changing, Oxford University Press, The Chopin Museum, The New York Times
Bologna Children's Book Fair Illustrator's Exhibition (twice),
Society of Illustrators New York Annual (twice),
Sydney Taylor Book Award (US),
Children's Literature Festival (PL)
Many people think we Germans are perfect. What nonsense!
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)
Taiwan's design culture integrates influences from diverse cultures, including Chinese, Japanese, Western, and indigenous elements, creating a unique and multifaceted style. Additionally, Taiwanese designers emphasize refinement and intricacy, often incorporating local cultural elements such as temple fairs, calligraphy, and traditional crafts into their designs, highlighting cultural heritage. The design industry in Taiwan is closely linked with the technology sector, demonstrating competitiveness in UI/UX design and smart product design. These characteristics may not be fully understood or recognized internationally. Furthermore, Taiwanese design is often influenced by social and political contexts, reflecting concerns about issues such as the environment and local identity.