Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
Typography
Ada Zielińska is a graphic designer and illustrator who blends modernity with 70s and 80s nostalgia.
A graduate of Interior Design at the Academy of Fine Arts in Warsaw and Graphic Design in Gdańsk, she now teaches at the latter.
She has exhibited in Poland, Germany, Spain, the USA, and Japan, and collaborated with brands like Adobe, Netflix, Levi's, Spotify, Domestika, and institutions like the National Museum in Gdańsk.
Adobe, Netflix, Spotify, Levi's, The North Face, Domestika, Nature, New Scientist, Fast Company magazine
30/30 Awards, Decibels of Design, KTR Awards, Polish Graphic Design Awards
We're getting there.
The typsetting is unique. The ability to use hiragana, katakana, kanji, and alphanumeric characters in both vertical and horizontal writing is, we feel, unique in Japanese design culture.
As someone who studied design at a university in Korea, I’ve observed that there are a vast number of design schools in the country. Considering Korea's population size, the number of design graduates is quite substantial. I find this to be an interesting fact when it comes to understanding the Korean design scene.
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)