Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
© 2024 Polish Graphic Design Foundation. All rights reserved.
Motto
I would like to express myself in ways that I have never seen before. I will also make sure to include an experimental element somewhere. Even if it is not visual, I believe it is possible to do so with ideas and so on.
Japan
Yui
Takada
Design
Bio
Graphic designer. Director of Allright-Inc.
Graduated from Kuwasawa Design School.
Established "Allright Graphics" with Takada Nobukuni and Takada Mai in 2006.
Professor at Tokyo Zokei University.
Clients
All important.
Awards
Received the
2011 JAGDA New Design Award,
2015 Kuwasawa Award,
2015 JAPAN PACKAGE DESIGN AWARDS,
2019 Tokyo ADC Award,
2020 Tokyo TDC Award
More Speakers and Mentors
Michal
Piernikowski
Polish design consistently marks its presence on global markets, combining diferent perspectives that reflects the cultural context of Poland, while perfectly adapting to the expectations of customers from all over the world. Today polish design not only draws on its history and regional motifs, creatively reinterpreting patterns from the past, but also develops by embracing new values like: innovation, responsibility, resourcefulness, locality, and nostalgia.
Bartlomiej
Witanski
I have the impression that design culture in Poland has been changing in a good way over the last few years. Increasingly, clients see value in what we do and appreciate it. Of course, there will also be people who do not fully value our work, in which case it is better to let such a project go.
Jan
Diehl-Michalowski
In Poland, design is still in the development phase and there is currently no one specific dominant style characteristic only of our country. Until recently, we were trying to design correctly, and now we are looking at how to design incorrectly.
Mateusz
Machalski
I think that Polish design is mainly associated with the Polish school of posters – and this is definitely superficial, because we had very good illustrators and an extremely interesting history of typography and the geopolitical changes that influenced its development.