Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
Doubting everything, even myself and be humble.
Japan
Ryoji
Tanaka
Design
Bio
Born in Mie Prefecture in 1975. Graduated from Doshisha University (the Faculty of Science) and International Academy of Media Arts and Sciences.
Founded Semitransparent Design in 2003.
With a focus on digital media, he is engaged in activities such as the planning and production of online media, graphic design, and installations at museums and galleries both within Japan and overseas.
Clients
Tokyo TDC Web, Graphic Design Review, illuminating graphic, Rec And Copy, Graphic Trial
Awards
D&AD, New York ADC, CLIO Award, London International Awards, JAGDA New Designer, Tokyo TDC, Yusaku Kamekura Design Award, Tokyo ADC
More Speakers and Mentors
Patryk
Hardziej
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.
Ian
Lynam
There are three different reading directions for typeset Japanese!
Ksawery
Komputery
Poland's design culture is deeply rooted in its rich history and traditions, blending modern aesthetics with folk art. One aspect that people from other countries might not know is the strong influence of Polish Poster Art, which emerged in the mid-20th century and is characterized by its unique combination of simplicity, bold colors, and surreal elements. Additionally, Polish designers often draw inspiration from the country's turbulent history and diverse architecture, creating works that are both innovative and reflective of Poland's cultural heritage.
Te Ming
Wang
Taiwan's design culture integrates influences from diverse cultures, including Chinese, Japanese, Western, and indigenous elements, creating a unique and multifaceted style. Additionally, Taiwanese designers emphasize refinement and intricacy, often incorporating local cultural elements such as temple fairs, calligraphy, and traditional crafts into their designs, highlighting cultural heritage. The design industry in Taiwan is closely linked with the technology sector, demonstrating competitiveness in UI/UX design and smart product design. These characteristics may not be fully understood or recognized internationally. Furthermore, Taiwanese design is often influenced by social and political contexts, reflecting concerns about issues such as the environment and local identity.