Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
© 2024 Polish Graphic Design Foundation. All rights reserved.
Motto
When you meet people of exceptional character, think how you can become their equal. When you meet people of poor character, look inside and examine yourself.
Taiwan
Te Ming
Wang
Design
Web Design、Infographic Design、Book and Editorial Design
Bio
The founder and design director of U VISUAL serves as the chairman of the Taiwan Graphic Design Association and is a judge for various competitions and academic institutions in related fields.
As a professional designer deeply rooted in the design industry, they are highly active in the field of design.
With expertise in comprehensive brand planning, they have assisted numerous brand enterprises and led the U VISUAL team to win multiple international awards.
Clients
Government Agency, Food Industry, Construction Company
Awards
A Design Award, DFA Design For Asia Award, Gloden Pin Design Award, Good Design Award, iF Design, Indigo Design Award, MUSE Creative Award, Red Dot Award, Taipei International Design Award, Taiwan International Graphic Design Award
More Speakers and Mentors
HyoJun
Shim
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.
Ksawery
Komputery
Poland's design culture is deeply rooted in its rich history and traditions, blending modern aesthetics with folk art. One aspect that people from other countries might not know is the strong influence of Polish Poster Art, which emerged in the mid-20th century and is characterized by its unique combination of simplicity, bold colors, and surreal elements. Additionally, Polish designers often draw inspiration from the country's turbulent history and diverse architecture, creating works that are both innovative and reflective of Poland's cultural heritage.
Oksana
Shmygol
While the most known and celebrated inspirations from the Polish graphic design history is the 1950-80s Polish School of Posters, there is also a less known history of great logo design and typography, which we only started discovering recently. Nowadays Poland has amazing and internationally renowned designers in different fields - illustration, branding, typography and more. The community of professionals - individual designers and studios - is strong and friendly, we learn from each other and give each other advice, but also consciously build market standards together.
Ada
Zielinska
People from other countries might not know that the design culture in Poland is deeply rooted in both tradition and innovation. The iconic Polish School of Poster, which emerged in the mid-20th century, remains influential, known for its unique blend of surrealism, symbolism, and minimalism. Another lesser-known aspect is the role of graphic design. While Polish posters have gained international recognition, graphic design, including elements like logos, packaging, and printed materials, has only recently been rediscovered and appreciated. Polish graphic design icons such as Karol Śliwka, Jerzy Treutler, and Roman Duszek are behind these influential works.