Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
日本で有名なイラストレーターで、主に書籍の表紙など多くの仕事をしています。
彼は過去に多くのコンペティションで受賞しています。
I have the impression that design culture in Poland has been changing in a good way over the last few years. Increasingly, clients see value in what we do and appreciate it. Of course, there will also be people who do not fully value our work, in which case it is better to let such a project go.
As someone who studied design at a university in Korea, I’ve observed that there are a vast number of design schools in the country. Considering Korea's population size, the number of design graduates is quite substantial. I find this to be an interesting fact when it comes to understanding the Korean design scene.
It's not unique to Korea; a one-sided relationship has no future, so please work with people who respect and acknowledge each other's value.
Polish design consistently marks its presence on global markets, combining diferent perspectives that reflects the cultural context of Poland, while perfectly adapting to the expectations of customers from all over the world. Today polish design not only draws on its history and regional motifs, creatively reinterpreting patterns from the past, but also develops by embracing new values like: innovation, responsibility, resourcefulness, locality, and nostalgia.