Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
© 2024 Polish Graphic Design Foundation. All rights reserved.
Motto
Nothing is Simple.
Poland
Jakub
Kozniewski
Design
art in public space
Bio
panGenerator is a new media art & design collective based in Warsaw, Poland, (Krzysztof Cybulski, Krzysztof Goliński and Jakub Koźniewski). Since 2010 the group creates unique projects exploring new means of creative expression and interaction with the audience.
Their works are characterised by blending ephemeral digital realm with physical world. panGenerator is mixing bits & atoms to create audience-engaging, dynamic and tangible experiences in opposition to typically static, hermetic and unapproachable conventions prevalent to traditional, mainstream “modern art” practice.
panGenerator blurs the common divisions between art, design and engineering, creating large scale interactive installations commissioned by cultural institutions and commercial brands as well as purely experimental musical interfaces or speculative and critical pieces of art. Apart from their creative endeavours, the members of the group are engaged in various education initiatives, providing workshops and lectures on new media art and technology worldwide.
Clients
TENCENT (Shimmering Pulse), (Szczecin Philharmonic) Spiralalala, Pilecki Institut Berlin (EROSION), Disney (Mickeyphon), Copernicus Science Center (The Abacus), Katowice City of Gardens (The Wall of Sound), Adam Mickeiwicz Institute (Apparatum)
Awards
Cannes Golden Lions
PrixArs - Ars Electronica
KTR
PGDA
POLITYKA "Passports"
LUMEN PRIZE shortlist
More Speakers and Mentors
Yoshiko
Hada
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)
Te Ming
Wang
Taiwan's design culture integrates influences from diverse cultures, including Chinese, Japanese, Western, and indigenous elements, creating a unique and multifaceted style. Additionally, Taiwanese designers emphasize refinement and intricacy, often incorporating local cultural elements such as temple fairs, calligraphy, and traditional crafts into their designs, highlighting cultural heritage. The design industry in Taiwan is closely linked with the technology sector, demonstrating competitiveness in UI/UX design and smart product design. These characteristics may not be fully understood or recognized internationally. Furthermore, Taiwanese design is often influenced by social and political contexts, reflecting concerns about issues such as the environment and local identity.
Patryk
Hardziej
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.
Dohee
Lee
As someone who studied design at a university in Korea, I’ve observed that there are a vast number of design schools in the country. Considering Korea's population size, the number of design graduates is quite substantial. I find this to be an interesting fact when it comes to understanding the Korean design scene.