Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
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Motto
Rafal
Gosieniecki
Design
Bio
広告、コミック、ゲーム業界で活動するイラストレーター兼コンセプトアーティストです。
クライアントには、ポケモンXYのコンセプトアーティスト（ゲームフリーク）、ロリポップチェーンソーのリードコンセプトアーティストなどが含まれます。
Clients
Awards
More Speakers and Mentors
Jakub
Kozniewski
We're getting there.
Patryk
Hardziej
In Poland after World War II, many designers were active in creating graphic symbols. Due to specific political conditions, these projects could be much more free and artistic than in the West. Besides the Polish poster, it is the graphic symbol that is particularly noteworthy when it comes to design in Poland.
Yoshiko
Hada
Though this is about illustration, I think there is a tendency to prefer narrative and explanatory elements over visual (graphical ) interest. (But maybe things have changed a bit recently?)
Oksana
Shmygol
While the most known and celebrated inspirations from the Polish graphic design history is the 1950-80s Polish School of Posters, there is also a less known history of great logo design and typography, which we only started discovering recently. Nowadays Poland has amazing and internationally renowned designers in different fields - illustration, branding, typography and more. The community of professionals - individual designers and studios - is strong and friendly, we learn from each other and give each other advice, but also consciously build market standards together.