Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
© 2024 Polish Graphic Design Foundation. All rights reserved.
座右铭
I work with people who respect and acknowledge each other's value, and in the future, everything will turn out as we envision it.
South Korea
Daeki
Shim
Design
Graphic Design, Branding, Typography
Bio
Daeki Shim is a co-founder of the graphic design studio DAEKI & JUN. As a co-founder, he has been recognized for his work and has won over 100 awards at international design competitions and biennales. Notably, he won the Grand Prix at the 2017 Red Dot Design Award, the Judge’s Choice Award at the 2017 Society of Typographic Arts (STA100) in Chicago, and the Platinum & Gold Awards at the Graphis Annual in 2016 and 2017.
He holds a bachelor's degree in Graphic Design from the University of the Arts London (UAL), a master's degree in Digital Anthropology from University College London (UCL), and a doctoral degree in Design from Seoul National University. He is currently an adjunct professor at Korea National University of Arts, Sejong University, and Seoul Tech University. Additionally, he has served in various prominent roles, including design director and flag exhibition curator for the ‹2021 Wave: East Sea International Art Pre-Biennale›, planning steering committee member for the ‹2019 DDP Design Fair›, director and curator of ‹2018 DDP Seoul Design Brand: Communication Tools›, and chief curator for ‹Typojanchi 2017: International Typography Biennale›, among other positions.
He has participated in over 60 exhibitions at a variety of institutions, including the German Red Dot Design Museum, Die Neue Sammlung (Munich, Germany), Le Signe National Center for Graphic Design (Chaumont, France), 019 (Ghent, Belgium), Ginza Graphic Gallery (GGG, Tokyo, Japan), Hangaram Art Museum at the Seoul Arts Center, Sejong Museum of Art, the National Hangeul Museum, and Culture Station Seoul 284. His work is included in the collections of Die Neue Sammlung, the German Red Dot Design Museum, 019, and the National Hangeul Museum.
Clients
Dongdaemun Design Plaza(DDP), Seoul Design Foundation, Seoul Metropolitan Government, Gangwon State Office, Gangwon Institute of Design Promotion
Awards
Red Dot Design Award, STA(Society of Typographic Arts) 100, Graphis Annual, Tokyo TDC Annual Award, New York TDC(Type Directors Club), Good Design Award, Moscow Global Biennale of Graphic Design Golden Bee, Ecuador Poster Biennale, Brno International Biennial of Graphic Design, Bienal Internacional del Cartel en México, and etc
更多演讲者和导师
Bartlomiej
Witanski
我的印象是，在过去的几年中，波兰的设计文化发生了很好的变化。越来越多的客户从我们的工作中看到价值并对此表示赞赏。当然，也会有人不完全重视我们的工作，在这种情况下，最好放弃这样的项目。
Patryk
Hardziej
第二次世界大战后的波兰，许多设计师积极创作图形符号。由于特定的政治条件，这些项目可能比西方更加自由和艺术化。除了波兰的海报外，在波兰的设计中，它是一个特别值得注意的图形符号。
Zofia
Dzierzawska-Bojanowska
波兰的设计史非常动荡，与该国的历史和政治制度直接相关。
Ola
Niepsuj
波兰的设计文化深深植根于丰富的海报艺术传统，被称为 “波兰海报艺术学校”，该运动将大胆的图形和强烈的象征意义相结合，以最少的资源传达复杂的信息。当代波兰设计经常从这种传统中汲取灵感，包括 “手工设计”，同时将其与现代数字美学融为一体。