Designers in Seoul
Designers in Tokyo
Designers in Taipei
Column Four
© 2024 Polish Graphic Design Foundation. All rights reserved.
座右铭
Graphics have the power to change something
Japan
Yoshiko
Hada
Design
Bio
Freelance illustrator based in Tokyo. Dropped out of the Visual Communication Design Department at Musashino Art University.
With the motto that graphics have the power to change something, She provides illustrations for a wide range of media, including posters, packages, CD/DVD jackets, miscellaneous goods, and textiles, both domestically and internationally. She also has a wide range of activities, including actively participating in overseas exhibitions, workshops, and conferences.
She draws illustrations while being surprised and moved by the coincidences that happen on paper. It may be similar to the innocent joy a child feels when touching clay for the first time. These slightly strange creatures born through her hands out of nowhere, beyond her consciousness, are like an extension of a child's doodles, like music, or like alchemy to make something wonderful out of the monotonous daily life.
Clients
Itabashi Art Museum, Paris Baguette Jeju garden store, Halcyon Night, IIIVIVINIKO, Fine Little Day, Potatokids
Awards
MJ Award, Bologna Children's Book Fair Illustrators Exhibition, ILUSTRARTE, The Choice, TIS Competition, Illust-Note Note-Exhibition
更多演讲者和导师
Ksawery
Komputery
波兰的设计文化深深植根于其丰富的历史和传统，将现代美学与民间艺术融为一体。来自其他国家的人可能不知道的一个方面是波兰海报艺术的强大影响力，它出现于20世纪中叶，其特点是将简约、大胆的色彩和超现实的元素独特地结合在一起。此外，波兰设计师经常从该国动荡的历史和多样的建筑中汲取灵感，创作出既创新又反映波兰文化遗产的作品。
Ola
Niepsuj
波兰的设计文化深深植根于丰富的海报艺术传统，被称为 “波兰海报艺术学校”，该运动将大胆的图形和强烈的象征意义相结合，以最少的资源传达复杂的信息。当代波兰设计经常从这种传统中汲取灵感，包括 “手工设计”，同时将其与现代数字美学融为一体。
Bartlomiej
Witanski
我的印象是，在过去的几年中，波兰的设计文化发生了很好的变化。越来越多的客户从我们的工作中看到价值并对此表示赞赏。当然，也会有人不完全重视我们的工作，在这种情况下，最好放弃这样的项目。
Michal
Piernikowski
波兰的设计始终是其在全球市场上的影响力，它结合了反映波兰文化背景的不同视角，同时完美地适应了来自世界各地的客户的期望。如今，波兰设计不仅借鉴其历史和地区图案，创造性地重新解读过去的图案，而且还通过拥抱创新、责任、足智多谋、本土和怀旧等新价值观来发展。