座右铭

Japan

Yuri

Uenishi

Design

Bio

Born in Tokyo in 1987, Uenishi graduated from Tama Art University and joined Dentsu in 2010. She then started working independently in 2021, established in hokkyoku co., ltd.. Her works cover various fields, including branding, campaigning, images, spaces, books and magazines. Her past works include the poster of the World Table Tennis Championships 2015, graphic design for the exhibition "The Year 2121: Futures In-Sight," LAFORET GRAND BAZAR SUMMER 2018 & 2019, and after, and magazine Kohkoku (published by Hakuhodo.) She has won many awards, including the Cannes Lions Gold, NYADC Gold, D&AD Gold, Tokyo ADC Award, and JAGDA New Designer Award.

Clients

DENTSU INC., HAKUHODO Inc., Mori Building Co., Ltd., 21_21 DESIGN SHIGHT inc., JAGDA...

Awards

JP

  • TOKYO ADC Prize
  • JAGDA Prize
  • JAGDA New Designer Prize
  • International Poster Triennial In Toyama 15 _ Silver
  • ACC Grand Prix
  • GOOD DESIGN AWARD BEST 100
  • 朝日広告賞 準Grand Prix

FOREIN

  • D&AD _ Gold
  • NY ADC _ Gold
  • CANNES LIONS _ Gold
  • CANNES YOUNG LIONS _ Gold
  • ONE SHOW _ Silver
  • CLIO AWARD _Gold
更多演讲者和导师

Ada

Zielinska

来自其他国家的人可能不知道波兰的设计文化深深植根于传统和创新。20世纪中叶出现的标志性波兰海报画派仍然具有影响力,以其超现实主义、象征主义和极简主义的独特融合而闻名。另一个鲜为人知的方面是平面设计的作用。尽管波兰海报获得了国际认可,但包括徽标、包装和印刷材料等元素在内的平面设计直到最近才被重新发现和欣赏。卡罗尔·希利夫卡、杰日·特鲁特勒和罗曼·杜塞克等波兰平面设计偶像是这些有影响力的作品的幕后黑手。

Bartlomiej

Witanski

我的印象是,在过去的几年中,波兰的设计文化发生了很好的变化。越来越多的客户从我们的工作中看到价值并对此表示赞赏。当然,也会有人不完全重视我们的工作,在这种情况下,最好放弃这样的项目。

Ola

Niepsuj

波兰的设计文化深深植根于丰富的海报艺术传统,被称为 “波兰海报艺术学校”,该运动将大胆的图形和强烈的象征意义相结合,以最少的资源传达复杂的信息。当代波兰设计经常从这种传统中汲取灵感,包括 “手工设计”,同时将其与现代数字美学融为一体。

Patryk

Hardziej

第二次世界大战后的波兰,许多设计师积极创作图形符号。由于特定的政治条件,这些项目可能比西方更加自由和艺术化。除了波兰的海报外,在波兰的设计中,它是一个特别值得注意的图形符号。

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